Music Artists

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I used to listen to the world chart show back in the late 90s and this song made it all the way to the top specially in Europe. It was produced by a dj and its title was something like sunrise, sunshine, or something of the sort. The lyrics are all African words but I remember there was a moment in the song that it was just lyrics and clapping. I know the rhythm but it is almost impossible to put in words. HELP!!!

“The First Lady of Song,” Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). Blessed with a beautiful voice and a wide range, Fitzgerald could outswing anyone, was a brilliant scat singer, and had near-perfect elocution; one could always understand the words she sang. The one fault was that, since she always sounded so happy to be singing, Fitzgerald did not always dig below the surface of the lyrics she interpreted and she even made a downbeat song such as “Love for Sale” sound joyous. However, when one evaluates her career on a whole, there is simply no one else in her class.One could never guess from her singing that Ella Fitzgerald ’s early days were as grim as Billie Holiday’s. Growing up in poverty, Fitzgerald was literally homeless for the year before she got her big break. In 1934, she appeared at the Apollo Theater in Harlem, winning an amateur contest by singing “Judy” in the style of her idol, Connee Boswell. After a short stint with Tiny Bradshaw, Fitzgerald was brought to the attention of Chick Webb by Benny Carter (who was in the audience at the Apollo). Webb, who was not impressed by the 17-year-old’s appearance, was reluctantly persuaded to let her sing with his orchestra on a one-nighter. She went over well and soon the drummer recognized her commercial potential. Starting in 1935, Fitzgerald began recording with Webb’s Orchestra, and by 1937 over half of the band’s selections featured her voice. “A-Tisket, A-Tasket” became a huge hit in 1938 and “Undecided” soon followed. During this era, Fitzgerald was essentially a pop/swing singer who was best on ballads while her medium-tempo performances were generally juvenile novelties. She already had a beautiful voice but did not improvise or scat much; that would develop later.On June 16, 1939, Chick Webb died. It was decided that Fitzgerald would front the orchestra even though she had little to do with the repertoire or hiring or firing the musicians. She retained her popularity and when she broke up the band in 1941 and went solo; it was not long before her Decca recordings contained more than their share of hits. She was teamed with the Ink Spots, Louis Jordan, and the Delta Rhythm Boys for some best-sellers, and in 1946 began working regularly for Norman Granz’s Jazz at the Philharmonic. Granz became her manager although it would be nearly a decade before he could get her on his label. A major change occurred in Fitzgerald’s singing around this period. She toured with Dizzy Gillespie’s big band, adopted bop as part of her style, and started including exciting scat-filled romps in her set. Her recordings of “Lady Be Good,” “How High the Moon,” and “Flying Home” during 1945-1947 became popular and her stature as a major jazz singer rose as a result. For a time (December 10, 1947-August 28, 1953) she was married to bassist Ray Brown and used his trio as a backup group. Fitzgerald’s series of duets with pianist Ellis Larkins in 1950 (a 1954 encore with Larkins was a successful follow-up) found her interpreting George Gershwin songs, predating her upcoming Songbooks series.After appearing in the film Pete Kelly’s Blues in 1955, Fitzgerald signed with Norman Granz’s Verve label and over the next few years she would record extensive Songbooks of the music of Cole Porter, the Gershwins, Rodgers & Hart, Duke Ellington, Harold Arlen, Jerome Kern, and Johnny Mercer. Although (with the exception of the Ellington sets) those were not her most jazz-oriented projects (Fitzgerald stuck mostly to the melody and was generally accompanied by string orchestras), the prestigious projects did a great deal to uplift her stature. At the peak of her powers around 1960, Fitzgerald’s hilarious live version of “Mack the Knife” (in which she forgot the words and made up her own) from Ella in Berlin is a classic and virtually all of her Verve recordings are worth getting.Fitzgerald’s Capitol and Reprise recordings of 1967-1970 are not on the same level as she attempted to “update” her singing by including pop songs such as “Sunny” and “I Heard It Through the Grapevine,” sounding quite silly in the process. But Fitzgerald’s later years were saved by Norman Granz’s decision to form a new label, Pablo. Starting with a Santa Monica Civic concert in 1972 that is climaxed by Fitzgerald’s incredible version of “C Jam Blues” (in which she trades off with and “battles” five classic jazzmen), Fitzgerald was showcased in jazz settings throughout the 1970s with the likes of Count Basie, Oscar Peterson, and Joe Pass, among others. Her voice began to fade during this era and by the 1980s her decline due to age was quite noticeable. Troubles with her eyes and heart knocked her out of action for periods of time, although her increasingly rare appearances found Fitzgerald still retaining her sense of swing and joyful style. By 1994, Ella Fitzgerald was in retirement and she passed away two years later, but she remains a household name and scores of her recordings are easily available on CD. ~ Scott Yanow, All Music Guide
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A Day to Remember is a post-hardcore band from Ocala, Florida, formed in 2003. Their music generally consists of growled verses, clean pop-punk style choruses and breakdowns.

Early years (2003-2006)
After all playing in different bands in the Ocala music scene, singer Jeremy McKinnon, guitarists Neil Westfall and Tom Denney, bassist Joshua Woodard, and drummer Bobby Scruggs came together in 2003. Soon after, the band embarked on a “DIY” tour, playing well over 200 shows, making a name for themselves. They were signed to Indianola Records, from which they recorded their first full length, titled And Their Name Was Treason in May 2005. The album sold 8,000 copies on word of mouth alone, but the band felt that bigger and better things were to come. “A friend of mine said he had the AIM screenname of someone at Victory Records,” Woodard said. “I didn’t believe him, but I still started communicating with the guy. We IM’ed back and forth for about six months, and it happened that we were playing with the band On The Last Day in a town outside of Chicago—and this guy was going to be there filming it. It was our first time we ever played in Illinois, yet the 50-60 kids there were singing along to our tunes like they’d been fans all their lives.

Victory Records (2007-present)
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Leslie Feist (born February 13, 1976 in Amherst, Nova Scotia) is a canadian singer. She performs as a solo artist under the name Feist and also as a member of Broken Social Scene.

Raised in Regina and Calgary, Feist got her start in music as the lead vocalist for a punk band called Placebo (not the more famous British band Placebo), who won a local Battle of the Bands competition and were awarded the opening slot at a Ramones concert. After five years of touring, Feist was forced to take time off from music to recover from voice damage. She moved from Calgary to Toronto in 1998 and took up guitar; by 1999, she was the guitarist for By Divine Right. She also released her debut solo album, Monarch (Lay Your Jewelled Head Down), that year. The album was financed by a grant from the Canadian government.

In 2000, Feist moved in as a roommate with Peaches and Gonzales, and appeared as a guest vocalist on The Teaches of Peaches and Presidential Suite. She then joined the recording sessions for Broken Social Scene’s albums Feel Good Lost and You Forgot It in People.

Feist then moved to Paris, and while in Europe, she collaborated with Norwegian duo Kings of Convenience as a guest vocalist on their album Riot on an Empty Street. Feist recorded her second solo album, Let It Die, in Paris in 2002 and 2003. That album, a combination of jazz and bossa nova was hailed as one of the best Canadian pop albums of 2004 and got her two Juno Awards (The Canadian equivalent of the Grammys). This album also helped her to gain a significant international audience.
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There are multiple artists with this name

1) Him , a love metal band from Finland.
2) HiM, a solo project put together in 1995 by Doug Scharin (drummer for June of 44, Rex, and Codeine).
3) HIM, acronym for “Hiromasa Ijichi Melodies,” a Japanese group.

1) Formed in 1991 by vocalist Ville Valo, guitarist Mikko Lindström (Linde), and bassist Mikko Paananen(Mige). Today the band consists of the previously named as well as a drummer Mika Karppinen(Gas) and a keyboardist Janne Puurtinen(Burton). The name HIM was originally an abbreviation for “His Infernal Majesty”, but was changed to the initials to avoid confusion with the occult. Also, the Finnish people were rarely able to actually pronounce the name correctly. The name “HIM” later caused confusion when touring in the US, because of another band using the same name (read below at 2)). For this reason, the band was -jokingly – for some time known as “HER” in the States, and even more jokingly HIM&Her in Germany.

The EP, ‘666 Ways to Love: Prologue’ (1996) was their EP released only in Finland and only 1,000 were produced making it worth up to $700 and has been sold on eBay for more. HIM’s first full length album ‘Greatest Lovesongs Vol. 666’ (1997) gained European fame due to the success of the cover of Wicked Game the album also featured a popular cover of (Don’t Fear) The Reaper.
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